I am pressed for time, so I will speak swiftly. For those of you wondering about the FastPencil edition of The Quest, it’s still rebelling against me. It won’t publish. I’m working on it, but I’m also juggling college coursework.
In the meantime, I want to leave just a thought today. Have you ever gotten the feeling that a lot of modern fiction tends to be grim and violent? I was writing on Friday about why I put down Watchmen in favor of more optimistic literature. Now I’m wondering whether Watchmen and other dark tales have too much power in today’s storytelling landscape.
Look at movies like The Dark Knight, The Road, and A Prophet. They were all critically acclaimed and all full of deadly moral choices. Think about the works of Cormac McCarthy, or Stephen King, or even Brad Thor. Think about The Hunger Games. Think about Twilight, even. The Wall Street Journal uncovers a brutal trend in YA novels that turns my stomach.
We still have our Harry Potters and our Frodo Bagginses. I don’t hear such hopeful works discussed in the same tone. Films like The Help, and books like Hotel at the Corner of Bitter and Sweet, rake in plenty of cash, and people say they love them, but they don’t carry the same weight as The Godfather or a drug addict’s new book.
The message that I am being sent is this: successful, serious fiction needs to be dark. If you want to be successful and seriously considered in your literature, you have to focus on the dark side of humanity. Inspirational stories, or stories with pure good and evil, are lightweight and don’t merit as much esteem.
Am I right?